Vortex (2016), steel and cables, 14' x 6' x 6', West High School, Anchorage.
Mark Gibian
B.F.A./B.A. '79
Vortex (2016), steel and cables, 14' x 6' x 6', West High School, Anchorage.
Mechanical Flower #1 (2018), collaboration with Jim Polk, kinetic sculpture that opens and closes slowly, steel, aluminum, motors, phenolic, cables, stainless, 6' x 60' x 40'.
Mark Gibian with early glass and steel works on exhibit (1987) at BACA Downtown, Brooklyn.
Kinetic and Balancing Sculptures
Windflower / Hurricane Detector (1979), steel, slate, wood, steel bearings, 16' x 8' x 12', senior project, installation view near The Foundry, Cornell University, Ithaca, New York. Collection of Harcum College in Bryn Mawr, Pennsylvania.
Windflower / Hurricane Detector (1979)
Pointer (1982), forged steel, one-point balancing windmill created at Sculpture Space in Utica, New York, collection of the Johnson Museum, Cornell University, Ithaca, New York.
Nuria (1986), galvanized steel, wood columns, bearings, 14' x 5' x 4', kinetic wind sculpture based on the Savonius rotor vertical axis windmill, inspired by the alternative energy club at Cornell.
Rudder (1987), polychromed steel and glass, clear and black, 8' x 8' x 4', private collection, New York City.
Mechanical Flower #1 (2018), collaboration with Jim Polk, kinetic sculpture that opens and closes slowly, steel, aluminum, motors, phenolic, cables, stainless, 6' x 60' x 40'.
Mechanical Flower #1 (2018)
Detail view of Mechanical Flower #1 (2018), collaboration with Jim Polk, steel, aluminum, motors, phenolic, cables, stainless, 6' x 60' x 40'.
Mechanical Flower #1 (2018), detail
Flower Ring Mechanical Flower (2021), steel, motors, wood, cable, kinetically programmed to open and close in succession in every possible combination, 80" x 65" x 65".
Flower Ring Mechanical
Flower (2021)
Cable Crossing (1997), site architect William Conklin of Conklin Rossant, barricade fence units and overhead skylight unit; steel and cables and cable fittings overhead, functional barricade cable sculpture specifically created as a tribute to the Brooklyn Bridge, which is directly outside the station, overhead unit 11' x 29' x 13', functional turnstile units with bridge theme, triptych: south 103" x 159" x 8", middle 102" x 81" x 8", north 102" x 67" x 8".
Cable Crossing (1997), transporting the largest section — the skylight unit (steel, cables, cable fittings) — from Gibian's studio in Williamsburg, Brooklyn, to the Brooklyn Bridge–City Hall subway station for installation.
Cable Crossing (1997)
in transport
Crescendo (2008), combination seat and shade sculpture, stainless steel and mesh, overhead unit: 16' x 26' x 22', seating unit: 3' x 15' x 8', North 5th Street Pier, Brooklyn. photo / Mark Henninger
Offshoot, Serpentine Structures (2008), galvanized steel, 12' x 21' x 12', Hudson River Park, New York City.
Offshoot, Serpentine Structures (2008)
Torque, Serpentine Structures (2008), functional love-seat structure, galvanized steel, 3' x 14' x 7', Hudson River Park, New York City.
Torque, Serpentine Structures (2008)
Twister, Serpentine Structures (2008), galvanized steel, 15' x 27' x 18', Hudson River Park, New York City.
Twister, Serpentine Structures (2008)
Vortex (2016), steel and cables, 14' x 6' x 6', permanent commission for the science wing of West High School, Anchorage.
Slumped Glass and Steel Sculptures
Intersection (1989), copper-plated steel and slumped glass, 45" x 80" x 36", private collection, New York City.
Maelstrom (1990), steel and slumped glass, 67" x 46" x 60", private collection, New York City.
Virella (1991), steel and slumped glass, 28" x 36" x 11".
Brustian (1992), glass and steel, 53" x 25" x 13", private collection, New York City.
Taking Shape (1993), three large, slumped glass works: Weir, Propylaea, and Wave, 12' x 77', installation view inside the Memorial Arch, Grand Army Plaza, Brooklyn, Mariella Bisson (curator).
Double Play (2006), monoprint, unique with powdered pigments, 12" x 18".
Spring (2019), watercolor, 20" x 16", private collection, Virginia.
Cadena (2019), watercolor in Payne's grey, designs for wire sculptures, 15" x 22".
Blow-out (2020), elevation view watercolor, plan for future mechanical flower sculpture based on party favor, blow-out noise-maker toy, 20" x 16", private collection, Saranac Lake, New York.
Single Strand Hourglass (2022), watercolor, 20" x 15".
Single Strand Hourglass (2022)
Capullo (2023), watercolor in Payne's grey, 20" x 15".
Tension Toy-Plan View (2023), in progress, watercolor, 15" x 20".
Tension Toy-Plan View (2023)
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