Center for Cultural Innovation, 135,000 square feet, Fundación Cidade da Cultura de Galicia (client), UTE Andres Perea Ortega (architect of record), Santiago de Compostela, Spain.

Peter Eisenman

B.Arch. '54

Center for Cultural Innovation, 135,000 square feet, Fundación Cidade da Cultura de Galicia (client), UTE Andres Perea Ortega (architect of record), Santiago de Compostela, Spain.

World-Renowned Architect, Theorist, and Educator

by AAP Communications

Peter Eisenman (B.Arch. '54) discovered architecture more or less by accident during what was proving to be a discouraging first year at Cornell. Eisenman had enrolled as a chemistry major and was struggling academically. By his second semester, he was on probation, ineligible to participate in the extracurricular activities that had been providing "my only ego confirmation," he says. "I was in danger of flunking out of Cornell."

Instead, a candid conversation with his Founders Hall dorm counselor set Eisenman on a trajectory to become an internationally renowned architect, theorist, and educator. While his counselor, a fifth-year architecture student, was sketching and building models, Eisenman stopped to chat. Ultimately, their discussion changed his life and career path and shaped the education of generations of architecture students.

"I didn't know what architecture was," Eisenman says. "I realized I'd been missing something."

Neither his mother nor father, a chemist, shared their son's newfound enthusiasm for architecture. Even so, they allowed him to change his major with this caveat: He had one year to turn things around at Cornell. Otherwise, he would return home to New Jersey and get a job instead of a college education.

The rest is history.

An older man sits at a table, engaging in conversation.

Peter Eisenman in a Sibley Hall classroom in 2009. William Staffeld / AAP

Eisenman would excel at Cornell and graduate with honors as well as his class's architecture thesis prize. Throughout his more than 60-year career, he has earned some of the most coveted accolades in architecture and academia. One of the "New York Five," Eisenman has designed award-winning cultural and educational facilities, authored more than 20 books, and founded and led both the Institute for Architecture and Urban Studies (IAUS) and the firm Eisenman Architects. 

In parallel with his practice, Eisenman has educated architecture students at some of the world's most respected universities, including the University of Cambridge, Harvard University, Princeton University, The Ohio State University, The Cooper Union, and, most recently, Yale School of Architecture. At Cornell, Eisenman was the Frank H. T. Rhodes Class of '56 Professor from 2008 to 2011 and has been a frequent speaker at AAP. In May 2023, the Department of Architecture hosted Eisenman and others as the first speakers in the new "Peter Eisenman Lecture Series endowed by Elise Jaffe + Jeffrey Brown" that will take place annually.  

Architectural historians and writers place him in the vanguard of the deconstructionism, post-modernism, and post-structuralism movements. Colleagues cite his extraordinary influence on individual architects and the field in general, describing Eisenman as "persuasive," "a gifted builder," "constantly challenging us … to do better," and — what he might consider the highest praise — "most of all, an amazing teacher … life-changing in the best possible way."

"Teaching is the most difficult thing I do," Eisenman says. "Mentoring students to become architects and citizens of the world is a big responsibility."

Eisenman credits his own mentor, famed architectural historian, critic, and educator Colin Rowe, with teaching him that architecture is much more than the design of buildings. "I finally understood that architecture was a sociopolitical, economic, design discipline that took into account a wide range of being," he shares. Eisenman studied with Rowe at Cambridge University, earning master's and doctoral degrees in architecture. He also has a Master of Architecture from Columbia University. 

Early in his career, Eisenman was known primarily as an extraordinary educator and an often provocative theorist. His first buildings were a series of investigatory house projects built in the late 1960s through the mid-1970s to explore the form-meaning relationship in architecture. 

Photograph of a pale yellow building.

House II (1969–70), plywood, veneer, paint, Hardwick, Vermont.

With support from the Museum of Modern Art (MoMA), in 1967, Eisenman founded IAUS, an international think tank widely considered the most important American center for architectural debate in the 1970s. Eisenman viewed IAUS as "a halfway house between academia and practice ... a place to bring theory, teaching, and practice together." As director, he launched the aptly named, influential publication Oppositions: Journal for Ideas and Criticism in Architecture

In 1980, he established Eisenman Architects and, in 1983, won the widely publicized competition to build the Wexner Center for the Arts at The Ohio State University. Completed in 1989, the center was the firm's first public project — and the first of many high-profile contracts that would cement Eisenman's standing as a transformational figure in U.S. architecture. 

Eisenman Architects has designed award-winning projects around the world, including housing, urban planning, and education, cultural, and commercial facilities. The firm specializes in solving problems — such as difficult siting or programming or budget constraints — and creating structures of strategic importance to their environment. Notable projects include the Aronoff Center for Design and Art at the University of Cincinnati in Ohio; Memorial to the Murdered Jews of Europe in Berlin, Germany; State Farm Stadium, formerly the University of Phoenix Stadium, in Arizona; and the Yenikapi Transfer Center and Archeo-Park in Istanbul, Turkey, in partnership with Aytac Architects.

Eisenman's bibliography is equally impressive. Books include Giuseppe Terragni: Transformations, Decompositions, Critiques; Eisenman: Inside Out, Selected Writings 1963-1988; Written Into the Void: Selected Writings, 1990–2004; Ten Canonical Buildings, 1950–2000; By Other Means: Notes, Projects, and Ephemera From the Miscellany of Peter Eisenman; and The Formal Basis of Modern Architecture, which has been translated into Chinese and Farsi.

Interior of the Berlin Memorial where rectangular projections mirror the exterior concrete pillars.

Berlin Memorial to the Murdered Jews of Europe (1997–2005), Room of Dimensions, 800-square-meter underground Information Center, Berlin.

Eisenman's many contributions to the architecture discipline have been recognized through prestigious art, architecture, and design awards, including the Smithsonian Institution's 2001 Cooper-Hewitt National Design Award in Architecture, the Golden Lion for Lifetime Achievement, the 2004 Venice Biennale of Architecture, the 2010 Wolf Foundation Prize in the Arts, the American Institute of Architects/Association for Collegiate Schools of Architecture Topaz Medallion for Excellence in Architectural Education, the Kanter Tritsch Medal for Excellence in Architecture and Environmental Design, and the Gold Medal for Architecture from the American Academy of Arts and Letters. 
 
Yet, he insists his accomplishments are not his alone and is quick to share credit with colleagues, mentors, students, and the place where it all began – Cornell.
 
"I've never been 'Peter Eisenman, architect,' on anything I did," he says. "I was with the Institute for Architecture and Urban Studies, the Five Architects, and Eisenman Architects plural. It's always been a collective idea, a collaboration, for me."

In his seminars and studio courses, Eisenman not only mentors younger colleagues but also assigns them roles as solo teachers for a share of weekly classes. If material from the course is published, the associate teacher also serves as associate writer and is listed as a co-author. All student projects are group efforts; no individual projects are permitted.

He describes his time as a Cornell student as "a formative experience" and one that, back then, was not available anywhere else. 

"The one thing that made Cornell different from every other institution is that it was an Ivy League institution with an undergraduate architecture program," he says. Without Cornell and the ability to move "from chemistry to architecture, I would have been out doing who knows what."

Website: EisenmanArchitects.com

Projects


Residenze Carlo Erba (2009–19)

Exterior view of the curved side of a building

Eisenman Architects, Degli Esposti Architetti, and AZstudio, exterior view depicting the condominium's S-shaped curve, 14,000 square meters, Roman travertine, metal, Carrara marble, Milan, Italy.

Exterior view

Exterior view of a building

Exterior facade composed of a Roman travertine base punched with openings, a grid of metal paneling in the middle section, and a frame of metal outrigging that outlines a Carrara marble upper course, 14,000 square meters, Milan, Italy.

Exterior facade

Exterior view of a building wall with a gentle s-curve shape.

Exterior view of topmost floors composed of urban villas, Milan, Italy.

Topmost floors

Aerial view of buildings and city streets.

Aerial view, 14,000 square meters, Milan, Italy.

Aerial view

View of a building's courtyard at night.

Courtyard, 14,000 square meters, Milan, Italy.

Courtyard

Interior view of an atrium with couches and a wall of windows.

Interior view, Milan, Italy.

Interior view

Interior view of an open-concept room with two chairs in front of a TV at one end and a meeting space with a table and chairs at the other end of the room.

Residence, Milan, Italy.

Residence

Line drawing of a curving building

Drawing, Milan, Italy.

Drawing

Diagrams of building structures

Concept, Milan, Italy.

Concept


City of Culture of Galicia (1999–2011)

Exterior view of building entrance at night.

Galician Library and the Periodicals Archive, 122,000 square feet and 86,000 square feet (respectively), Fundación Cidade da Cultura de Galicia (client), UTE Andres Perea Ortega (architect of record), Santiago de Compostela, Spain.

Galician Library and the Periodicals Archive

Exterior view of a building shaped like a parabola

Museum of Galician History, 172,000 square feet, Fundación Cidade da Cultura de Galicia (client), UTE Andres Perea Ortega (architect of record), Santiago de Compostela, Spain.

 

 

Museum of Galician History

Detail view of a tiled structure curving upward like a hill.

Museum of Galician History, Fundación Cidade da Cultura de Galicia (client), UTE Andres Perea Ortega (architect of record), Santiago de Compostela, Spain.

Museum of Galician History

Detail view of curving building with wall of windows reflecting a bright blue sky and clouds.

Center for Cultural Innovation, 135,000 square feet, Fundación Cidade da Cultura de Galicia (client), UTE Andres Perea Ortega (architect of record), Santiago de Compostela, Spain.

Center for Cultural Innovation

Building interior with two rows of white columns.

Interior, Fundación Cidade da Cultura de Galicia (client), UTE Andres Perea Ortega (architect of record), Santiago de Compostela, Spain.

Interior

Building interior hallway

Interior, Fundación Cidade da Cultura de Galicia (client), UTE Andres Perea Ortega (architect of record), Santiago de Compostela, Spain.

Interior

Curving ceiling reflected on a glass-like floor surface.

Interior, Fundación Cidade da Cultura de Galicia (client), UTE Andres Perea Ortega (architect of record), Santiago de Compostela, Spain.

Interior

Cross-section model of a building.

Model, Fundación Cidade da Cultura de Galicia (client), Santiago de Compostela, Spain.

Model

Aerial view of building models

Model of the 173-acre site on Mount Gaiás, Fundación Cidade da Cultura de Galicia (client), Santiago de Compostela, Spain.

Site model

Drawings showing constructional longitude sections of a building.

Longitudinal section drawing, Fundación Cidade da Cultura de Galicia (client), Santiago de Compostela, Spain.

Longitudinal section drawing

Aerial drawing of a city with sections colored yellow or red.

Site plan,  Fundación Cidade da Cultura de Galicia (client), Santiago de Compostela, Spain.

Site plan

Grayscale concept drawing of buildings, pathways, landscape, and parking.

Concept drawing,  Fundación Cidade da Cultura de Galicia (client), Santiago de Compostela, Spain.

Concept drawing


State Farm Stadium (1997–2006)

Exterior view of a spheroid-shaped stadium

Exterior, metal panels, recessed vertical glass bands, translucent fabric roof, Glendale, Arizona.

Exterior

Interior view of a stadium filled with a crowd and an American flag spread across the playing field.

68,000-seat National Football League stadium, metal panels, recessed vertical glass bands, translucent fabric roof, Glendale, Arizona.

Stadium interior

Computer-created model of a stadium

Concept, metal panels, recessed vertical glass bands, translucent fabric roof, Glendale, Arizona.

Concept

Computer-created concept drawing of a stadium

Concept, metal panels, recessed vertical glass bands, translucent fabric roof, Glendale, Arizona.

Concept

Aerial-view drawing of a stadium

Drawing, metal panels, recessed vertical glass bands, translucent fabric roof, Glendale, Arizona.

Drawing


Memorial to the Murdered Jews of Europe (1997–2005)

Aerial view of the Berlin Memorial showing a rigid grid structure composed of large concrete pillars.

Field of Stelae, rigid grid structure composed of 2,711 concrete pillars, or stelae, 0.95 meters wide x 2.375 meters long, heights vary from 0 to 4 meters, 19,000-square-meter site, Berlin.

Field of Stelae

Concrete pillars arranged in a rigid grid structure.

Field of Stelae detail view, concrete pillars, each 95 centimeters wide by 2.375 meters long, heights varying from 0 to 4 meters, 19,000-square-meter site, Berlin.

Detail view

Concrete pillars arranged in a rigid grid structure.

Field of Stelae pillars spaced spaced 95 centimeters apart to allow only for individual passage through the grid, 19,000-square-meter site, Berlin.

View of a passage through pillars

Interior of the Berlin Memorial where rectangular projections mirror the exterior concrete pillars.

Room of Dimensions, 800-square-meter underground Information Center, Berlin.

Room of Dimensions

Model of the Berlin Memorial, depicting 2,711 concrete pillars bordered by trees.

Site model, 2,711 concrete pillars in a rigid grid structure, Berlin.

Site model

Cross-section drawing of the exterior Berlin memorial and a building underneath.

Section drawing, Field of Stelae and underground Information Center, 19,000-square-meter site, Berlin.

Section drawing


Aronoff Center for Design and Art (1988–1996)

Photograph of a building exterior with sections colored blue or red.

Exterior, 164,000 square feet, University of Cincinnati College of Design, Architecture, Art, and Planning, Cincinnati. 

Exterior

Photograph of a building exterior with sections colored blue or red.

Exterior, 164,000 square feet, University of Cincinnati College of Design, Architecture, Art, and Planning, Cincinnati. 

Exterior

Photograph of a building interior with skylight windows across the ceiling.

Interior, 164,000 square feet, University of Cincinnati College of Design, Architecture, Art, and Planning, Cincinnati. 

Interior

Photograph of a building interior with white walls and columns accented by pale red wall sections and lights set in a rectangular grid across the ceiling.

Interior, 164,000 square feet, University of Cincinnati College of Design, Architecture, Art, and Planning, Cincinnati. 

Interior

Photograph of a building interior, looking into a long hallway with white columns, from behind a large window subdivided into a grid with narrow partition.

Interior detail, 164,000 square feet, University of Cincinnati College of Design, Architecture, Art, and Planning, Cincinnati. 

Interior detail

Model of a building complex surrounded by trees cascading down a gently sloping hill.

Site model, University of Cincinnati College of Design, Architecture, Art, and Planning, Cincinnati. 

Site model

Drawing of a building complex.

Site drawing, University of Cincinnati College of Design, Architecture, Art, and Planning, Cincinnati. 

Site drawing

Outline drawing of a building complex in white set against a black background.

Drawing, University of Cincinnati College of Design, Architecture, Art, and Planning, Cincinnati. 

Drawing


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